This innovative full-length collection, drawing inspiration from the surrealist collage novels of Max Ernst, is an arresting and utterly unique assemblage of poetry, collage and photography. In two parts, the book engages with themes of travel and exploration, language and loss, identity and originality, as well as the relationship between poetry and other disciplines: the visual arts, history, literature and film. Polyglot in sensibility and content, and daring in construction, Argosy defies categorisation. Grounded firmly in Australian contemporary poetic practice, the book is also outward-looking in its approach to form and content; it constitutes a landmark in both local and international poetics.
‘Li is a cartographer of a different kind. Her map-making is as aesthetic as it is topographic, plotting fragmented histories, horizons and the spectral lands of memory and dream.’ Tamryn Bennett, Mascara Literary Review
'...a new wild object, a declaration about how poetry can look and be.' Bella Li's Argosy reviewed by Elena Gomez in Jacket2.
'...lingering, painstaking, experimental and damn good in a risky and ambitious multimodal form.' Bella Li's Argosy reviewed by Alison Whittaker in Overland.
'For all that Argosy
is a work that draws upon many texts, Li occupies distinctively original imaginative spaces within her writing. Familiarity with the specific novels and films to which she refers can work in concert with her writing, but it is equally possible to fall into this work without seeking each and every intertextual link. The gestures through which Li examines the worlds of her characters create a sustained voice and vision.' Bella Li's Argosy reviewed by Kate Middleton in Cordite.
'There's a wonderful disharmony to these poems: they radiate wonder and doom at the same time.' Bella Li's Argosy reviewed by Ellen Cregan in Readings.
is a beautiful coming together of poetry, visual art, history, and cartography, emergent from the journals of La Pérouse, and informed by collage novels of Max Ernst. The work is of such historical scope, yet always turns back onto this sense of ephemerality, of searching for something that is invisible.' Conversation between Bella Li and Mindy Gill on Argosy in Peril.
Bella Li is a freelance editor as well as a managing co-editor at Five Islands Press. Her chapbook Maps, Cargo (Vagabond Press, 2013) was shortlisted for the 2014 Wesley Michel Wright Prize. Read more about Bella Li's work in Peril, The Suburban Review and at Poetry International Web.
2017. 180pp. 229mm x 152mm. 57 colour images.
ISBN 978-1-922181-96-1 (Release date: February 2017).