{"title":"Forthcoming","description":"\u003cp\u003eNew titles on the way in September 2026 ...\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","products":[{"product_id":"peter-boyle-the-wide-starless-silence","title":"Peter Boyle, The Wide Starless Silence","description":"\u003cp\u003e‘Late in his career, Boyle has embarked on one of the most sustained flights of inspiration of any writer currently working. The results are luminous.’ Declan Fry, ABC\u003c\/p\u003e\n\u003cp\u003eThe natural world, dream material and childhood memory are interwoven across The Wide Starless Silence, a book-length sequence of poems that continues Boyle’s late career exploration of questions of mortality, human values, time, art, ethical action and our place in the natural world. Arranged in three sections modulated by different seasons and thematic emphases, the book examines experiences of loss, grief and ageing, and the role of memory, love and artistic creativity in resisting despair. Although these experiences are intensely personal they offer a philosophically charged engagement with questions of mortality, selfhood and meaning vested in a shared humanity. Building on his previous award-winning collections, such as Enfolded in the Wings of Darkness and Companions, Ancestors, Inscriptions, The Wide Starless Silence offers a sustained dialogue with the cosmos’ apparent silence and makes explicit a spirituality that has evolved through the consolations and insights of a lifetime devoted to art, philosophy and creativity. \u003c\/p\u003e\n\u003cp\u003e‘The poems’ psychological and emotional pressure points are those embedded in the experience of loss, uncertainty, aging, and fragility in fragmented times. They are profound responses to a difficult world. Each piece flows easefully and skilfully between the intrinsic and the extrinsic, creating an intensity and resonance barely matched by other contemporary poets.’ Judith Beveridge\u003c\/p\u003e\n\u003cp\u003ePeter Boyle is a poet and translator of poetry living and working on Dharug land. He has ten books of poetry published and eight books as a translator of poetry from Spanish and French. His most recent collections are \u003cem\u003eCompanions, Ancestors, Inscriptions\u003c\/em\u003e (2024), \u003cem\u003eIdeas of Travel\u003c\/em\u003e (2022) and \u003cem\u003eNotes Towards the Dreambook of Endings\u003c\/em\u003e (2021). In 2020 his book Enfolded in the Wings of a Great Darkness won the New South Wales Premier's Award for Poetry. His book \u003cem\u003eGhostspeaking\u003c\/em\u003e also received the New South Wales Premier's Award in 2017. Other prize-winning books include \u003cem\u003eApocrypha\u003c\/em\u003e (2009), \u003cem\u003eThe Blue Cloud of Crying\u003c\/em\u003e (1997) and \u003cem\u003eComing Home from the World\u003c\/em\u003e (1993). He has performed his poetry at International Poetry Festivals in Colombia, France, Venezuela, Macedonia, Canada, Nicaragua, El Salvador and Spain. His poems have been translated into Spanish, French, German, Chinese, Macedonian, Vietnamese, Korean and Russian. As a translator his books include Anima by Cuban poet José Kozer, T\u003cem\u003ehe Trees: Selected Poems of Eugenio Montejo\u003c\/em\u003e and \u003cem\u003eThree Poets: Olga Orozco, Marosa Di Giorgio and Jorge Palma\u003c\/em\u003e. In 2013 he was awarded the New South Wales Premier's Award for Literary Translation. He holds a Doctorate in Creative Arts from the University of Western Sydney.\u003c\/p\u003e\n\u003cp\u003ePeter Boyle, \u003cem\u003eThe Wide Starless Silence\u003c\/em\u003e\u003cbr\u003eSeptember 2026. 148mm x 210mm. 112pp.\u003cbr\u003eISBN 978-1-925735-86-4\u003c\/p\u003e\n\u003cp\u003eThis project has been assisted by the Australian Government through Creative Australia, its principal arts investment and advisory body.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0182\/8349\/files\/CreativeAustraliaLogo_HorizontalBlack_Medium_306d6307-95f0-44ae-b87e-e933241d9921.png?v=1701428706\" alt=\"\"\u003e\u003c\/p\u003e","brand":"Vagabond Press","offers":[{"title":"Default Title","offer_id":48388259152029,"sku":null,"price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0182\/8349\/files\/Boyle_TWSS_Cover_lowres_5501a4f4-1169-439e-a53d-c3e09e5ce081.jpg?v=1784065498"},{"product_id":"rhea-cai-questions-i-m-scared-to-ask-at-parties","title":"Rhea Cai, Questions I’m Scared to Ask At Parties","description":"\u003cp\u003e‘Cai captures both the tender and the shocking, demonstrated by her ability to chart the vast and uncertain terrains of love, friendship and family against her lived experience as Chinese-Australian woman.’\u003c\/p\u003e\n\u003cp\u003eDONNALYN XU\u003c\/p\u003e\n\u003cp\u003eBringing forward a luminous, intimate exploration of the Chinese Australian experience, \u003cem\u003eQuestions I’m Scared to Ask at Parties \u003c\/em\u003enavigates questions of femininity, desire, love, filial piety, and cultural identity. The collection draws from the traditional Chinese concept of \u003cem\u003emian zi\u003c\/em\u003e, or ‘saving face’, and is steeped in the pain of inherited silences, self-censorship and cultural anxieties around womanhood. However, such silences are always couched side by side with subversiveness, survival, and hard-won joy, surfacing in each poem through unexpected images—a cooked trout, a field of white snow, mango cakes. Hybrid in form and experimental in content, the collection asks the reader to contemplate the limitations of the English language on colonised land: ‘In another life, I would still have words, \/ but not these words.’ \u003cem\u003eQuestions I’m Scared to Ask at Parties \u003c\/em\u003edeftly weaves together the emotional, the domestic, and the political, introducing a vital new voice to Australian poetry. \u003c\/p\u003e\n\u003cp\u003e‘What stands out in this collection is the sound of a unique and compelling poetic voice. Emerging poets often have the beginnings of what will become their singular tone but in a more tentative register. There is nothing tentative about Cai. She writes with the ferocity and conviction of a poet in full command of her craft. I have no doubt she is a writer who will quickly establish herself as a key voice in Australian and international poetry and whose work we will be reading for many years to come.’ \u003c\/p\u003e\n\u003cp\u003eEMILIE COLLYER\u003c\/p\u003e\n\u003cp\u003eRhea Cai is a poet and writer based in Sydney. As a poet, she is interested in writing about the unsayable\/untranslatable, generational memory, and the diaspora experience. In her fiction writing, she is interested in science fiction, fantasy, and strange, but familiar worlds. Her work has appeared in the \u003cem\u003eCordite Poetry Review\u003c\/em\u003e and \u003cem\u003eThe Australian Poetry Journal\u003c\/em\u003e. She has an Honours degree in English Literature from Sydney University, where she also won the Australian Federation of Graduate Women (NSW) Prize for Essays in English (2017 and 2018) and was the University of Sydney Union Creative Awards (Word) Winner in 2017. \u003cem\u003eQuestions I’m Scared to Ask at Parties \u003c\/em\u003eis her first poetry collection, and you can find more of her reading and writing antics at @rheaisreading on Instagram.\u003c\/p\u003e\n\u003cp\u003eRhea Cai, \u003cem\u003eQuestions I’m Scared to Ask At Parties\u003c\/em\u003e\u003cbr\u003eSeptember 2026. 148mm x 210mm. 64pp.\u003cbr\u003eISBN 978-1-925735-87-1 \u003c\/p\u003e\n\u003cp\u003eThis project has been assisted by the Australian Government through Creative Australia, its principal arts investment and advisory body.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0182\/8349\/files\/CreativeAustraliaLogo_HorizontalBlack_Medium_306d6307-95f0-44ae-b87e-e933241d9921.png?v=1701428706\" alt=\"\"\u003e\u003c\/p\u003e","brand":"Vagabond Press","offers":[{"title":"Default Title","offer_id":48388279959709,"sku":null,"price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0182\/8349\/files\/Cai_Cover_low_res_border.jpg?v=1781734137"},{"product_id":"bronte-heron-nighttime-gardener","title":"Bronte Heron, Nighttime Gardener","description":"\u003cp\u003e‘\u003cem\u003eNighttime Gardener\u003c\/em\u003e is a collection of poetry that constantly searches for explanation; the conceptual is made physical, and questions of place, planet and time are explored through queer ecology. The impossible task of living inside a body that breathes and remembers is deciphered, held close, and delivered in Heron’s singular measured voice; clear, each word earned, delivered with ease.’ LEAH DODD\u003c\/p\u003e\n\u003cp\u003e‘In Bronte Heron’s \u003cem\u003eNightime Gardener\u003c\/em\u003e, language evolves into landscape. This is a poet who gives careful attention to the poem’s continuous thread; lines break seamlessly as the poet cultivates a quiet watching – of nature, the stones of childhood, and the elasticity of time. The membrane between person, earth, and animal becomes malleable, each poem approaching the precision of a still life painting. Heron is a brilliant poet who writes with an uncanny poise; I’m amazed by the sinewy intelligence and dexterity of these lines. Nighttime Gardener is a luminous debut.’ J.MAE BARIZO\u003c\/p\u003e\n\u003cp\u003eSituated within queer ecopoetics, \u003cem\u003eNighttime Gardener\u003c\/em\u003e explores how care, attention, and relation operate within damaged and interdependent environments. Set primarily in gardens, domestic spaces, and sites of everyday maintenance, the poems examine how bodies and landscapes are shaped through ongoing processes of tending, inheritance, and ethical proximity. Bronte Heron’s debut collection attends closely to plants, animals, tools, and weather, placing human experience within broader more-than-human systems. Language itself is treated ecologically, accruing meaning through repetition, erosion, and revision rather than resolution. The poems resist stable identities and instead foreground partial knowledge, embodied attention, and forms of kinship that extend beyond the human. Rather than offering pastoral idealisation or environmental consolation, the collection dwells with uncertainty, responsibility, and the labour of staying with what is compromised. By focusing on small, ongoing acts of care,\u003cem\u003e Nighttime Gardener \u003c\/em\u003earticulates ways of living and writing within entangled, damaged worlds.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e‘Like all the best poems, Bronte’s open our eyes to different ways of seeing. From a glass of water to a photographed sunset, Bronte generously invites the reader to reflect on the vastness of the worlds we inhabit. These are poems of great tenderness and quiet gratitude – a glimmering and confident collection from an exciting new poet. The poems in \u003cem\u003eNighttime Gardener\u003c\/em\u003e will stay with you. Let them.’ THERESE LLOYD \u003c\/p\u003e\n\u003cp\u003e‘Heron brings a distinctive personal voice to their work which favours the variable, queer and ongoing rather than the unambiguous, and has overall a grounded sensibility of intimacy, amplitude, and generosity.’ JILL JONES\u003c\/p\u003e\n\u003cp\u003eBronte Heron is a poet and writer from Aotearoa living on Jardwadjali and Djab Wurrung Country in Gariwerd, Australia. Their work has been supported by the Fulbright Foundation, the Lois Roth Foundation, the Jack Kerouac School for Disembodied Poetics, Sundress Academy for the Arts, RM Gallery and Projectspace, and play_station Artist-run Space. \u003cem\u003eNighttime Gardener \u003c\/em\u003eis their first book. \u003c\/p\u003e\n\u003cp\u003eBronte Heron, \u003cem\u003eNighttime Gardener\u003c\/em\u003e\u003cbr\u003eSeptember 2026. 148mm x 210mm. 64pp.\u003cbr\u003eISBN 978-1-925735-89-5\u003c\/p\u003e\n\u003cp\u003eThis project has been assisted by the Australian Government through Creative Australia, its principal arts investment and advisory body.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0182\/8349\/files\/CreativeAustraliaLogo_HorizontalBlack_Medium_306d6307-95f0-44ae-b87e-e933241d9921.png?v=1701428706\" alt=\"\"\u003e\u003c\/p\u003e","brand":"Vagabond Press","offers":[{"title":"Default Title","offer_id":48388318068893,"sku":null,"price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0182\/8349\/files\/Heron_Cover_lowresborder.jpg?v=1781734531"},{"product_id":"laurie-duggan-the-new-weather","title":"Laurie Duggan, The New Weather","description":"\u003cp\u003e‘The small poems slowly build up to a much larger narrative; a narrative of time and memory, of thinking and looking and being in the world, a kind of history that is happening on the sidelines.’ Fiona Wright\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe New Weather \u003c\/em\u003eis a journal written over the last few years, following whatever those seasons have become, taking time out here and there to look at art, read other poets and listen to music. These innocent activities take place in a world where climate and the body (or bodies) politic have become forces impossible to anticipate, in which any notion of the ‘normal’ has been left well behind. Yet it is still a world where the pleasures of the imagination and the craziness of everyday experience survive. These are strange days indeed. \u003c\/p\u003e\n\u003cp\u003e‘I think of how Pound defined the image as \"that which presents an intellectual and emotional complex in an instant of time'; and, still being thoroughly sane back in 1913, he went on to say: “the natural object is always the adequate symbol”. Such an imagist doctrine has always been at the heart of Laurie Duggan’s sharp-eyed work.’ Chris Wallace-Crabbe\u003c\/p\u003e\n\u003cp\u003e‘Hilariously and pointedly, he defines poems as “momentary lapses of inattention”. Delivering a specifically antipodean nostalgia, Duggan’s work may well compel us to consider which kinds of poetry can come from places where histories have been silenced, murderously broken, and forcibly overlaid with the very language from which one may hope to shape poetry.’ Dan Disney\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLaurie Duggan (b.1949) was involved in the poetry worlds of Melbourne and Sydney through the 1970s and 80s, publishing several books of poems including \u003cem\u003eThe Ash Range\u003c\/em\u003e (Picador 1987; Shearsman, UK, 2005), \u003cem\u003eThe Epigrams of Martial\u003c\/em\u003e (Scripsi 1989; Pressed Wafer, USA, 2010) and a critical work \u003cem\u003eGhost Nation: Imagined Space and Australian Visual Culture\u003c\/em\u003e (UQP 2001). He has taught media studies, art history, and cultural studies at various institutions. In 2006 he moved to the UK and lived in Faversham, Kent until 2018. He has published some twenty books of poems. His first book, \u003cem\u003eEast\u003c\/em\u003e, won the first Anne Elder Award. \u003cem\u003eMangroves\u003c\/em\u003e (UQP) won the 2004 ALS Gold Medal for outstanding work, \u003cem\u003eThe Passenger\u003c\/em\u003e (UQP) won the Judith Wright Calanthe Award for Poetry in 2007, and in 2013 \u003cem\u003eThe Collected Blue Hills \u003c\/em\u003e(Puncher \u0026amp; Wattman) won the Grace Leven Prize. His most recent books are Homer Street (Giramondo, Sydney, 2020), which was shortlisted for the Prime Minister’s Award, and \u003cem\u003eSelected Poems 1971-2017 \u003c\/em\u003e(Shearsman, UK, 2018), which received a special commendation in the UK Poetry Book Society Awards that same year.\u003c\/p\u003e\n\u003cp\u003eLaurie Duggan, \u003cem\u003eThe New Weather\u003c\/em\u003e\u003cbr\u003eSeptember 2026. 148mm x 210mm. 128pp.\u003cbr\u003eISBN 978-1-925735-90-1\u003c\/p\u003e\n\u003cp\u003eThis project has been assisted by the Australian Government through Creative Australia, its principal arts investment and advisory body.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0182\/8349\/files\/CreativeAustraliaLogo_HorizontalBlack_Medium_306d6307-95f0-44ae-b87e-e933241d9921.png?v=1701428706\" alt=\"\"\u003e\u003c\/p\u003e","brand":"Vagabond Press","offers":[{"title":"Default Title","offer_id":48388333830301,"sku":null,"price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0182\/8349\/files\/Duggan_Cover_lowresborder.jpg?v=1781734505"},{"product_id":"ella-skilbeck-porter-crescentcrescent","title":"Ella Skilbeck-Porter, Crescentcrescent","description":"\u003cp\u003e‘Across these poems Skilbeck-Porter drops all the way into the glinting surface of domestic life as if it were a portal. I found a raw rhythm in this haunting book.’\u003c\/p\u003e\n\u003cp\u003eEMILY STEWART\u003c\/p\u003e\n\u003cp\u003e‘Capturing interiority in all its idiosyncrasies, the fragmentation of time when a life enters the world or leaves it is an incredibly difficult thing to do; yet Ella achieves this, with poetic precision, and a distinctive voice that pushes form and thought on every page.’\u003c\/p\u003e\n\u003cp\u003eIZZY ROBERTS-ORR\u003c\/p\u003e\n\u003cp\u003eElla Skilbeck-Porter’s second collection \u003cem\u003eCrescentcrescent\u003c\/em\u003e moves and shifts forms, revolving around the space of the house and neighbouring streets, circling and orbiting interiority. The crescent and the movement of lunar phases repeat as twinned movements of birth and grief, speaking to the etymology of crescent, to ‘grow, develop, swell, increase in numbers.’ The shape of the crescent finds an echo in the  shape of the pregnant body and the poems traverse absence and presence, early years of parenthood and phenomenological notions of perception. The individual poems are observational and attentive; at times surreal in their use of dream imagery; and explore a subjective, relational frame. Early parenthood is imbued with psychological energy and embedded with chance and procedural and automatic methods of writing. There are moments of transformation, of shifting states, exemplified through the rotations between the sections and sequences: generative leaps that allow for formal play and continuation. In her second collection, Skilbeck-Porter continues the development of a poetics of no division, a form of contemporary Australian poetry that emphasises interconnection and interrelatedness and fluidity without hierarchy.\u003c\/p\u003e\n\u003cp\u003e‘Formally daring, Skilbeck-Porter’s debut is a confident collection that moves elegantly and effortlessly through concrete and lyric poetry. Skilbeck-Porter has developed a poetics that feels truly new and invigorating, characterised by both an eye for intricacy and a steady, guiding formal hand. These Are Different Waters is a significant accomplishment in form, but more importantly, style.’  Anne Elder Award 2023 judges’ comments\u003c\/p\u003e\n\u003cp\u003eElla Skilbeck-Porter is a poet and visual poet living on unceded Wurundjeri Country in Naarm\/Melbourne. She is a PhD candidate at the University of Melbourne where she is researching visual poetry. Her debut collection of poetry \u003cem\u003eThese are Different Waters \u003c\/em\u003e(Vagabond Press, 2023) was shortlisted for the Mary Gilmore Award and the Helen Anne Bell Poetry Bequest and was highly commended in the Anne Elder Award. Her work has been widely published in journals and anthologies including \u003cem\u003eBest of Australian Poems 2024, Living Systems: Poetry from Asia Pacific, HEAT, Rabbit, Going Down Swinging \u003c\/em\u003eand\u003cem\u003e Cordite Poetry Review.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eElla Skilbeck-Porter, \u003cem\u003eCrescentcrescent\u003c\/em\u003e\u003cbr\u003eSeptember 2026. 148mm x 210mm. 96pp.\u003cbr\u003eISBN 978-1-925735-91-8\u003c\/p\u003e\n\u003cp\u003eThis project has been assisted by the Australian Government through Creative Australia, its principal arts investment and advisory body.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0182\/8349\/files\/CreativeAustraliaLogo_HorizontalBlack_Medium_306d6307-95f0-44ae-b87e-e933241d9921.png?v=1701428706\"\u003e\u003c\/p\u003e","brand":"Vagabond Press","offers":[{"title":"Default Title","offer_id":48388354277533,"sku":null,"price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0182\/8349\/files\/Skilbeck-Porter_Cover_lowresborder.jpg?v=1781734436"},{"product_id":"kate-lilley-throes","title":"Kate Lilley, Throes","description":"\u003cp\u003e‘Lilley’s poems are always concise with wit and meaning, and the same bold, singed humour remains with endless thought clutching each taut line.’ GIG RYAN, \u003cem\u003eSydney Morning Herald\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eKate Lilley’s fourth full-length collection, \u003cem\u003eThroes\u003c\/em\u003e, revels in the poetic possibilities of verbal and visual shapes and patterns to explore the vicissitudes of form, relation, embodiment and alteration, for good and ill. The poems play with constraint, repetition, addition, subtraction and citation, using a baroque mix of concretes, images and traditional lyric set forms (sonnet, villanelle, pantoum, cinqain) as supercharged structural and design elements. Written during and after a diagnosis of lymphoma (narrated in ‘Bloodwork’), contemporaneous with COVID, Throes stages an intimate poetic working-through of matters of life and death, treatment and cure, attachment and loss.\u003c\/p\u003e\n\u003cp\u003e‘Kate Lilley is one of Australia’s leading contemporary poets. Her poetry is distinctive and astute. In this new work, she begins by employing minimalism to distil the experience of serious illness into a poetry of awareness and feeling while eschewing sentimentality. She has a singular ability to experiment with language and form.’ PAM BROWN\u003c\/p\u003e\n\u003cp\u003eKate Lilley is a queer poet-scholar. Her first book, \u003cem\u003eVersary\u003c\/em\u003e (Salt, 2002) won the Grace Leven Prize and was shortlisted for the NSW Premier's Prize. Her second, \u003cem\u003eLadylike\u003c\/em\u003e (UWAP, 2012), was also shortlisted for the NSW Premier's Award. Her third, \u003cem\u003eTilt\u003c\/em\u003e (Vagabond, 2018), won the Victorian Premier's Prize. She is the editor of \u003cem\u003eDorothy Hewett Selected Poems\u003c\/em\u003e (UWAP), \u003cem\u003eMargaret Cavendish The Blazing World and other writings \u003c\/em\u003e(Penguin Classics) and \u003cem\u003eBest of Australian Poems 2024\u003c\/em\u003e (with Shastra Deo). A widely-published queer-feminist scholar, Kate was a member of the English Department at the University of Sydney for many years and is now an adjunct Associate Professor.\u003c\/p\u003e\n\u003cp\u003eKate Lilley, \u003cem\u003eThroes\u003c\/em\u003e\u003cbr\u003eSeptember 2026. 148mm x 210mm. 96pp.\u003cbr\u003eISBN 978-1-925735-92-5\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThis project has been assisted by the Australian Government through Creative Australia, its principal arts investment and advisory body.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0182\/8349\/files\/CreativeAustraliaLogo_HorizontalBlack_Medium_306d6307-95f0-44ae-b87e-e933241d9921.png?v=1701428706\" alt=\"\"\u003e\u003c\/p\u003e","brand":"Vagabond Press","offers":[{"title":"Default Title","offer_id":48388374429853,"sku":null,"price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0182\/8349\/files\/Lilley_Cover_lowresborder.jpg?v=1781734417"},{"product_id":"2026-bundle-pre-order-6-books","title":"September 2026 Bundle Pre-order (6 books)","description":"\u003cp\u003eIn September 2026, Vagabond Press is proud to release six collections of Australian poetry, with debut collections from Rhea Cai and Bronte Heron, and new work from Peter Boyle, Kate Lilley, Laurie Duggan, and Ella Skilbeck-Porter. \u003c\/p\u003e\n\u003cp\u003eThe books are printing and are available to pre-order now.\u003c\/p\u003e\n\u003cp\u003eHuge thanks to the lovely souls who have ordered the bundle. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThis project has been assisted by the Australian Government through Creative Australia, its principal arts investment and advisory body.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0182\/8349\/files\/CreativeAustraliaLogo_HorizontalBlack_Medium_306d6307-95f0-44ae-b87e-e933241d9921.png?v=1701428706\" alt=\"\"\u003e\u003c\/p\u003e","brand":"Vagabond Press","offers":[{"title":"Default Title","offer_id":48459006214301,"sku":null,"price":150.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0182\/8349\/files\/2026Septrelease.png?v=1784065232"}],"url":"https:\/\/vagabondpress.net\/fr\/collections\/forthcoming.oembed","provider":"Vagabond Press","version":"1.0","type":"link"}