Following on from the groundbreaking Argosy, Li's second collection Lost Lake ups the ante, taking the reader and literature alike into new reaches and realms of the imagination. Lost Lake, which exhibits Li’s distinctive use of text and image, consists of eight extended sequences of poetry, collage and photography, on subjects ranging from Dante’s Inferno and Steve Reich’s Different Trains, to the tomb of Newton and the archives of artist and autodidact Joseph Cornell. Through the eight sequences of Lost Lake, geography and music, history and architecture, works of art and literature, encounter each other in striking and unexpected ways, generating new hybrid objects. Lost Lake disassembles boundaries and challenges expectations of what a work of literature can be—its alchemy blooms in the spaces between eras, genres and forms.
Bella Li is the author of Maps, Cargo (Vagabond Press, 2013), shortlisted for the 2014 Wesley Michel Wright Prize, and Argosy (Vagabond Press, 2017)—a book of poetry, photography and collage—commended in the 2017 Wesley Michel Wright Prize and awarded the 2018 Victorian Premier's Literary Award for Poetry. Her work has been published in a range of journals and anthologies, including Best Australian Poems and The Kenyon Review, and displayed at the George Paton Gallery and in the Triennial of the National Gallery of Victoria.
Bella Li, Lost Lake
April 2018. 176pp. PB. 140mm x 210mm. 54 colour images.
This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body.